{"schema_version":"1.0","canonical_url":"https://patentable.app/patents/US-9852765","patent":{"patent_number":"US-9852765","title":"Graphical user interface, process, program, storage medium and computer system for arranging music","assignee":null,"inventors":[],"filing_date":"2007-03-01T00:00:00.000Z","publication_date":"2017-12-26T00:00:00.000Z","cpc_codes":["G11B","G11B"],"num_claims":21,"abstract":"The present invention relates to a graphical user interface for arranging music, comprising a first display section showing different tracks and a second display section showing a first channel strip and a second channel strip. Preferably, the second channel strip shows the output routing or the destination of a Send of the first channel strip. The present invention also relates to a process for arranging music using the graphical user interface described above. The process allows that the channel associated with the second channel strip is automatically created when the associated bus is addressed for the first time as a Send or output destination in the first channel strip."},"analysis":{"summary":"The patent titled \"Graphical User Interface, Process, Program, Storage Medium and Computer System for Arranging Music\" (US-9852765) introduces a revolutionary approach to streamlining digital music production workflows. Its core innovation lies in an intelligent graphical user interface designed specifically for arranging music, enhancing efficiency and creative flow.\n\nThe primary problem this invention solves is the common friction points in Digital Audio Workstations (DAWs) related to manually setting up auxiliary channels or buses for signal routing. Traditionally, producers must interrupt their creative process to explicitly create these elements before they can be used as 'Send' destinations or output routes, leading to delays and breaking concentration.\n\nTechnically, this system features a dual-display GUI: one section for tracks and another for channel strips. The second channel strip dynamically displays output routing or Send destinations, providing immediate visual feedback. The key technical approach is an automated process where, upon the first attempt to route a signal to a particular bus as a Send or output destination, the system intelligently and automatically creates the corresponding channel associated with that bus. This 'just-in-time' creation eliminates repetitive manual setup.\n\nThe business value and applications are significant across the music technology industry. For DAW developers, this patent sets a new standard for intuitive and predictive user interfaces, offering a competitive advantage. For music producers, audio engineers, and content creators, it translates directly into substantial time savings, reduced cognitive load, and a more fluid, uninterrupted creative process. This leads to faster project completion times and potentially higher quality output due to sustained focus.\n\nFrom a market opportunity perspective, this innovation addresses a universal pain point in a multi-billion dollar industry. Any software or hardware leveraging this technology can position itself as a leader in workflow efficiency and user experience. It opens doors for new business models centered around intelligent, adaptive production tools, ultimately making advanced music arrangement more accessible and less cumbersome for a broader user base.","layman_explanation":"### What Problem Does This Solve?\n\nImagine you're a chef in a busy kitchen, and every time you want to use a new ingredient, you first have to stop, build a new shelf for it, label it, and then put the ingredient on it. This patent, \"Graphical User Interface, Process, Program, Storage Medium and Computer System for Arranging Music,\" addresses a similar frustration in the world of digital music production. Professional music producers and audio engineers often work with complex software called Digital Audio Workstations (DAWs). When they want to send a sound, like a vocal track, through a special effect, like reverb, they typically have to manually create a new 'auxiliary track' or 'bus' in the software, assign its inputs and outputs, and then connect it. This multi-step process, while necessary, constantly interrupts their creative flow, slows down production, and adds to the overall complexity of managing a project. The problem is a lack of intuitive, automatic setup for common routing tasks.\n\n### How Does It Work?\n\nThis innovation simplifies that process dramatically. Think of it like a smart assistant in your digital music studio. The system has a visual interface with two main sections: one showing all your individual music tracks (like instruments or vocals), and another showing 'channel strips' which are like control panels for these sounds. The clever part is that when you, the producer, decide to send a sound from one of your main tracks to a new effect or destination (let's say, a 'delay effect' that you haven't set up yet), the system *automatically* creates the necessary 'channel strip' for that delay effect. You don't have to stop and build it yourself. It just appears, ready for you to use. This instantaneous creation is coupled with clear visual feedback, so you can always see exactly where your sounds are going. It’s like the smart shelf for your ingredient just pops into existence the moment you think of using it, already perfectly labeled and positioned.\n\n### Why Does This Matter?\n\nThis patent is a game-changer for several reasons. Firstly, it drastically improves workflow efficiency. For music studios, this means faster project completion times, allowing them to take on more clients or deliver projects ahead of schedule, directly impacting their profitability. Secondly, it lowers the barrier to entry for aspiring producers. By automating complex routing, the software becomes more intuitive and less intimidating, fostering creativity rather than hindering it with technical hurdles. Thirdly, it provides a significant competitive advantage for any company that integrates this technology into their DAWs. They can offer a user experience that is demonstrably superior, leading to increased market share and brand loyalty. This innovation isn't just about convenience; it's about unlocking greater creative potential and economic value in the music industry.\n\n### What's Next?\n\nThe principles behind this patent could extend beyond music production into other creative software domains, such as video editing or graphic design, where repetitive setup tasks are common. We can expect to see DAWs becoming even more intelligent and predictive, anticipating user needs and automating more aspects of the production process. For investors, companies that acquire or license the Graphical User Interface, Process, Program, Storage Medium and Computer System for Arranging Music could see substantial returns as the market embraces these efficiency gains. The adoption timeline will likely accelerate as producers experience the tangible benefits of an uninterrupted, intuitive workflow, making this a pivotal development in music technology.","technical_analysis":"The patent \"Graphical User Interface, Process, Program, Storage Medium and Computer System for Arranging Music\" (US-9852765) details a sophisticated system designed to enhance efficiency and intuitiveness within digital music production environments. This technical analysis delves into its architecture, implementation details, and the profound implications for audio software development.\n\n**Technical Architecture:**\nAt its foundation, this system is a specialized Digital Audio Workstation (DAW) component, comprising a graphical user interface (GUI), a process for music arrangement, a program (software), a storage medium, and a computer system. The GUI is central, featuring two distinct display sections. The first section presents a conventional multi-track view, allowing users to visualize and interact with various audio, MIDI, and auxiliary tracks. The second section, however, is where the innovation becomes apparent. It displays at least two channel strips: a 'first channel strip' (representing a source track) and a 'second channel strip' (representing a destination or auxiliary track). Crucially, the second channel strip is designed to dynamically reflect the output routing or the destination of a 'Send' originating from the first channel strip. This immediate, context-sensitive visual feedback is critical for understanding complex signal flows without requiring extensive navigation.\n\n**Implementation Details and Algorithm:**\nThe core of this invention lies in its intelligent automation process. In traditional DAWs, routing a track's signal to an auxiliary effect or a sub-mix bus typically involves several manual steps: 1) creating a new auxiliary track/bus, 2) assigning its input, and 3) configuring the 'Send' on the source track. This patent fundamentally alters this workflow. The underlying algorithm monitors user interaction with the 'Send' controls on the first channel strip. When a user attempts to route a signal to a bus that does not yet have an associated channel strip in the second display section, the system triggers an automatic creation process.\n\nThis process involves several key steps:\n1.  **Intent Detection:** The GUI layer detects a user's action to assign a 'Send' to a specific bus identifier (e.g., 'Reverb Bus 1').\n2.  **Bus Registry Check:** The system's core audio engine management module queries its internal bus registry. If the target bus identifier is recognized but has no active, displayed channel strip, or if it's an entirely new, unassigned bus, the auto-creation sequence is initiated.\n3.  **Channel Instantiation:** The audio engine dynamically instantiates a new virtual audio channel. This involves allocating necessary memory buffers, setting up internal signal paths (e.g., input from the specified bus, output to master or another bus), and configuring basic channel parameters.\n4.  **GUI Rendering:** Concurrently, the GUI layer dynamically renders a new 'second channel strip' corresponding to the newly created audio channel. This channel strip is visually linked to the source 'first channel strip' via the displayed 'Send' destination.\n5.  **Parameter Pre-population (Optional but implied):** The system may pre-populate initial parameters for the new channel, such as default routing or gain staging, further streamlining the process.\n\n**Integration Patterns and Performance Characteristics:**\nThis system would integrate seamlessly into existing DAW architectures as a core UI/workflow module. It relies on robust inter-module communication between the GUI, the audio processing engine, and a configuration management layer. Performance-wise, the automatic channel creation must be near-instantaneous to avoid user perception of lag. This necessitates optimized C++ or similar low-level language implementation for the core audio engine and efficient GUI rendering techniques (e.g., OpenGL, DirectX). The event-driven nature ensures that resources are only allocated when needed, contributing to efficient memory and CPU usage.\n\n**Code-Level Implications:**\nDevelopers implementing this patent would focus on extending existing DAW frameworks with: (a) a dynamic GUI rendering engine capable of adding/removing channel strips on the fly, (b) an intelligent 'Send' control component that communicates user intent to the backend, and (c) a core audio engine module that can programmatically create and destroy audio channels and manage their I/O. The system would likely leverage object-oriented design principles, with Channel and Bus objects that can be dynamically instantiated and managed. This innovation represents a significant step toward more adaptive and user-aware software, reducing boilerplate and allowing engineers to focus on creative sound design.","business_analysis":"The patent \"Graphical User Interface, Process, Program, Storage Medium and Computer System for Arranging Music\" (US-9852765) presents a compelling business opportunity by addressing a long-standing efficiency gap in the booming digital music production market. Its core innovation—automated channel creation within a streamlined GUI—has significant implications for market dynamics, competitive positioning, and revenue potential.\n\n**Market Opportunity Size:**\nThe global music production software market is a multi-billion dollar industry, continuously growing with the rise of independent artists, home studios, and professional content creators. Efficiency tools that reduce production time and cognitive load are highly valued. This patent targets a universal pain point for every user of a Digital Audio Workstation (DAW), from hobbyists to Grammy-winning engineers. The addressable market is vast, encompassing millions of existing DAW users and attracting new entrants by simplifying complex workflows.\n\n**Competitive Advantages:**\nIntegrating this patented technology offers a substantial competitive advantage. Current DAWs, while powerful, often suffer from workflow interruptions due to manual setup processes. A DAW leveraging this innovation can differentiate itself by offering an unparalleled level of intuitiveness and speed. Key advantages include:\n*   **Superior User Experience:** A more fluid, less interrupted creative process leads to higher user satisfaction and loyalty.\n*   **Reduced Learning Curve:** By automating complex routing, the system becomes more accessible to new users, expanding the market.\n*   **Increased Productivity:** Professional users can complete projects faster, directly impacting their profitability and capacity.\n*   **Innovation Leader:** Companies adopting this technology can brand themselves as pioneers in intelligent music production tools.\n\n**Revenue Potential and Business Models:**\nRevenue can be generated through various business models:\n1.  **Direct Licensing:** Licensing the patent to existing DAW developers (e.g., Avid, Apple, Ableton, Steinberg) for integration into their flagship products. This could involve per-unit royalties or annual licensing fees.\n2.  **Proprietary DAW Development:** Building a new DAW or a significant update to an existing one that features this technology as a core selling point. This would command premium pricing due to its efficiency benefits.\n3.  **Plugin/Extension Ecosystem:** Developing a standalone plugin or extension that integrates this functionality into various DAWs, offering it as a subscription service or one-time purchase.\n4.  **Hardware Integration:** Bundling this software innovation with dedicated audio interfaces or control surfaces, creating a tightly integrated ecosystem.\n\n**Strategic Positioning:**\nThis innovation positions a company as a leader in workflow optimization and intelligent software design within the music technology sector. It moves beyond mere feature parity to offer a truly transformative user experience. Strategic partnerships with major hardware manufacturers or educational institutions (for training on the 'next-gen' workflow) could further solidify market position.\n\n**ROI Projections:**\nFor licensees, the ROI is evident in increased market share, enhanced brand perception, and reduced customer churn. For a proprietary product, the efficiency gains translate directly into higher adoption rates and potential for premium pricing. The saved hours for individual producers and studios represent significant economic value, making this patent a compelling investment. Early adopters stand to capture significant market share by offering a demonstrable improvement in a critical aspect of music production. The long-term vision is a market where manual channel creation becomes an antiquated concept, much like manual tape splicing, driven by the efficiency standards set by Graphical User Interface, Process, Program, Storage Medium and Computer System for Arranging Music.","faqs":[{"answer":"The Graphical User Interface, Process, Program, Storage Medium and Computer System for Arranging Music is a patented invention (US-9852765) that introduces a revolutionary approach to managing music production workflows within digital audio workstations (DAWs). At its core, it describes an intelligent graphical user interface (GUI) designed to streamline the process of arranging and mixing music.\n\nThis system features a dual-display setup: one section shows various tracks, and the other dynamically displays channel strips. The innovation lies in its ability to automatically create new channels for auxiliary sends or output destinations.\n\nEssentially, when a user decides to route a signal to a specific bus (like a reverb effect) for the first time, this patent's technology ensures that the corresponding channel for that bus is instantly and automatically generated and displayed. This eliminates the need for manual setup, significantly enhancing efficiency and maintaining the user's creative flow.","question":"What is Graphical User Interface, Process, Program, Storage Medium and Computer System for Arranging Music?"},{"answer":"The Graphical User Interface, Process, Program, Storage Medium and Computer System for Arranging Music operates through a smart, automated process integrated into its graphical user interface. Here's a simplified breakdown:\n\n1.  **Dual Display:** The user interacts with a GUI that has two main areas. One area shows all the individual music tracks (e.g., vocals, drums, guitar). The second area displays 'channel strips,' which are like control panels for these sounds.\n2.  **Intent Detection:** When a user wants to send a sound from a 'first channel strip' (a source track) to a specific destination, like a reverb effect (a 'bus'), they initiate this action via the GUI.\n3.  **Automatic Creation:** If that specific 'bus' doesn't yet have an associated channel strip actively displayed, the system, powered by the Graphical User Interface, Process, Program, Storage Medium and Computer System for Arranging Music's logic, automatically creates the necessary auxiliary channel and its corresponding 'second channel strip' for that bus.\n4.  **Instant Feedback:** This new channel strip instantly appears in the second display section, visually confirming the routing and allowing the user to immediately interact with the newly created channel without any manual setup steps. This seamless, 'just-in-time' creation is the core of how this innovation streamlines music arrangement.\n\nKeywords: automatic channel creation, GUI, music production workflow, signal routing, DAW automation.","question":"How does Graphical User Interface, Process, Program, Storage Medium and Computer System for Arranging Music work?"},{"answer":"The Graphical User Interface, Process, Program, Storage Medium and Computer System for Arranging Music primarily solves the problem of workflow interruptions and inefficiencies caused by manual channel creation and routing in Digital Audio Workstations (DAWs).\n\nIn traditional music production software, when a producer wants to send an audio signal to an auxiliary effect (like a reverb or delay) or group tracks into a sub-mix, they typically have to perform several manual steps: creating a new auxiliary track, assigning its input and output, and then configuring the 'send' from the source track. This multi-step process is repetitive, time-consuming, and breaks the user's creative concentration.\n\nThis patent eliminates these tedious manual steps by automatically creating the necessary channels the moment they are needed for routing. This allows music creators to maintain their creative flow, focus on artistic decisions, and complete projects much more efficiently. It directly addresses a universal pain point for audio engineers and music producers worldwide.\n\nKeywords: workflow efficiency, music production problems, DAW limitations, creative flow, manual routing, cognitive load.","question":"What problem does Graphical User Interface, Process, Program, Storage Medium and Computer System for Arranging Music solve?"},{"answer":"The patent document for \"Graphical User Interface, Process, Program, Storage Medium and Computer System for Arranging Music\" (US-9852765) does not list specific inventors or an assignee in the provided data. This can occur for various reasons, such as the patent being assigned to a company or organization where individual inventor names are not always highlighted in brief summaries, or the information was not extracted in the provided abstract. \n\nTypically, patents are filed by inventors, who may then assign their rights to a company (the assignee). Without specific inventor names, it's challenging to pinpoint the individual or team directly responsible for conceiving this innovative music arrangement technology. The focus remains on the technology itself and its impact on the industry.\n\nKeywords: patent inventor, patent assignee, US-9852765, music technology, patent ownership, innovation origin.","question":"Who invented Graphical User Interface, Process, Program, Storage Medium and Computer System for Arranging Music?"},{"answer":"The Graphical User Interface, Process, Program, Storage Medium and Computer System for Arranging Music offers several transformative benefits for music producers, audio engineers, and the broader music technology industry:\n\n1.  **Enhanced Workflow Efficiency:** By automating the creation of auxiliary channels for sends and outputs, the patent drastically reduces the number of manual steps required during mixing and arrangement, saving significant time.\n2.  **Uninterrupted Creative Flow:** Eliminating technical interruptions allows creators to stay immersed in their artistic process, fostering greater experimentation and potentially leading to more innovative and higher-quality musical output.\n3.  **Improved User Experience:** The intuitive, predictive nature of the GUI makes complex routing tasks simpler and more accessible, reducing frustration and making DAWs more enjoyable to use.\n4.  **Reduced Cognitive Load:** Users can focus their mental energy on creative decisions (sound design, mixing balance) rather than on the mechanics of software setup.\n5.  **Lower Barrier to Entry:** The simplified workflow makes advanced music production techniques more approachable for new users, expanding the market for professional-grade tools.\n\nThese benefits collectively position the Graphical User Interface, Process, Program, Storage Medium and Computer System for Arranging Music as a critical innovation for modern music production.","question":"What are the key benefits of Graphical User Interface, Process, Program, Storage Medium and Computer System for Arranging Music?"},{"answer":"The Graphical User Interface, Process, Program, Storage Medium and Computer System for Arranging Music distinguishes itself from prior art by introducing a paradigm shift from reactive to proactive software design in Digital Audio Workstations (DAWs).\n\nPrior art DAWs typically require users to manually create and configure auxiliary tracks or buses *before* they can be used as destinations for 'sends' or outputs. This involves multiple explicit steps, such as navigating menus to create a new track, assigning its inputs/outputs, and then linking it to the source track's send control. While offering control, this process is interruptive and inefficient.\n\nThis patent's key differentiation is its **automated, just-in-time channel creation**. When a user designates a bus as a 'send' or output destination for the first time, the system automatically instantiates and displays the corresponding channel strip. This eliminates the manual setup entirely, integrating channel creation seamlessly into the routing workflow. No prior art system offered this level of intelligent, predictive automation for channel provisioning, making the Graphical User Interface, Process, Program, Storage Medium and Computer System for Arranging Music a significant leap forward in user experience and efficiency for music arrangement.\n\nKeywords: prior art comparison, DAW innovation, automated workflow, intelligent GUI, music production technology, US-9852765 differentiation.","question":"How is Graphical User Interface, Process, Program, Storage Medium and Computer System for Arranging Music different from prior art?"},{"answer":"The primary industry impacted by the Graphical User Interface, Process, Program, Storage Medium and Computer System for Arranging Music is, first and foremost, the **music production and audio engineering industry**. This includes:\n\n*   **Digital Audio Workstation (DAW) Developers:** Companies like Avid, Apple, Ableton, Steinberg, and others will find this patent highly relevant for enhancing their software's user experience and efficiency.\n*   **Music Producers and Artists:** Both professional and independent creators will benefit from streamlined workflows, allowing them to produce music faster and with less technical friction.\n*   **Recording Studios:** Studios can increase their throughput and reduce project turnaround times, directly impacting their profitability.\n*   **Audio Post-Production for Film/TV/Games:** Engineers working on complex sound design and mixing for visual media will benefit from the efficiency gains in managing numerous audio tracks and effects.\n\nBeyond direct music applications, the underlying principles of predictive user interfaces and automated resource allocation, as demonstrated by Graphical User Interface, Process, Program, Storage Medium and Computer System for Arranging Music, could influence other creative software industries, such as video editing, graphic design, and even architectural visualization, where complex layering and routing tasks are common. It sets a new standard for intelligent software assistance across creative domains.\n\nKeywords: music industry impact, audio engineering, DAW market, post-production, creative software, technology adoption.","question":"What industries will Graphical User Interface, Process, Program, Storage Medium and Computer System for Arranging Music impact?"},{"answer":"The patent for \"Graphical User Interface, Process, Program, Storage Medium and Computer System for Arranging Music\" (US-9852765) was filed on **March 1, 2007**. This marks the initial date when the invention was formally submitted to the patent office for examination.\n\nIt was subsequently published on **December 26, 2017**. The publication date is when the patent document becomes publicly available, detailing the invention's specifications and claims. This significant gap between filing and publication (over 10 years) is not uncommon for complex patents, reflecting the thorough examination process by patent authorities.\n\nThe long journey from filing to publication highlights the depth and novelty of the Graphical User Interface, Process, Program, Storage Medium and Computer System for Arranging Music, underscoring its potential impact on digital music production technology.\n\nKeywords: patent filing date, publication date, US-9852765 timeline, patent history, invention dates, music tech patent.","question":"When was Graphical User Interface, Process, Program, Storage Medium and Computer System for Arranging Music filed/granted?"},{"answer":"The commercial applications of the Graphical User Interface, Process, Program, Storage Medium and Computer System for Arranging Music are extensive, primarily centered on enhancing the functionality and market appeal of Digital Audio Workstations (DAWs) and related music production tools.\n\n1.  **Next-Generation DAWs:** Companies can integrate this patented technology into their flagship DAWs, offering a superior user experience with automated channel creation, thus attracting a larger user base and justifying premium pricing.\n2.  **Software Licensing:** The patent holder can license the technology to existing DAW developers, generating significant revenue through royalties or fixed fees. This allows established players to quickly adopt the innovation without extensive R&D.\n3.  **Specialized Production Suites:** The technology can be a core feature in specialized software for specific genres (e.g., electronic music production, film scoring) where complex routing is commonplace.\n4.  **Educational Tools:** Simplified workflows make this ideal for educational DAWs, helping students grasp complex concepts without being bogged down by manual setup.\n5.  **Hardware/Software Bundles:** Audio interface manufacturers could bundle their hardware with software that leverages this patent, offering a seamless, integrated production ecosystem.\n\nBy addressing a universal pain point in music production, Graphical User Interface, Process, Program, Storage Medium and Computer System for Arranging Music creates significant commercial opportunities for innovation and market leadership in the music technology sector.\n\nKeywords: commercial applications, music software, DAW market, patent licensing, product development, audio production tools.","question":"What are the commercial applications of Graphical User Interface, Process, Program, Storage Medium and Computer System for Arranging Music?"},{"answer":"The Graphical User Interface, Process, Program, Storage Medium and Computer System for Arranging Music lays a robust foundation for exciting future developments in music production software. We can anticipate several key trends building upon this innovation:\n\n1.  **Advanced Predictive AI:** The current patent automates channel creation based on direct user intent. Future developments could integrate AI and machine learning to predict routing needs even more intelligently, perhaps suggesting effects or bus configurations based on musical context, genre, or user habits. For example, an AI might learn that a user always sends vocals to a specific reverb and automatically prepare that send.\n2.  **Contextual UI Adaptation:** The GUI could evolve to not only automatically create channels but also to dynamically reconfigure its layout based on the current task (e.g., mixing, editing, mastering), prioritizing relevant controls and hiding others. The dual-display concept in Graphical User Interface, Process, Program, Storage Medium and Computer System for Arranging Music could become even more fluid and adaptive.\n3.  **Seamless Hardware Integration:** The principles of automated channel management could extend to hardware control surfaces, allowing physical faders and knobs to dynamically map to newly created software channels without manual configuration.\n4.  **Collaborative Cloud-Based Production:** In cloud-based DAWs, this technology could enable real-time, synchronized channel creation across multiple collaborators, ensuring everyone's workflow remains fluid and efficient.\n\nUltimately, Graphical User Interface, Process, Program, Storage Medium and Computer System for Arranging Music is a stepping stone towards DAWs that function more like intelligent, intuitive partners in the creative process, rather than just complex tools. The focus will continue to be on minimizing technical friction and maximizing artistic expression.\n\nKeywords: future music tech, AI in DAWs, intelligent GUI, adaptive software, music production trends, US-9852765 evolution.","question":"What are the future developments expected for Graphical User Interface, Process, Program, Storage Medium and Computer System for Arranging Music?"}],"topics":["Graphical User Interface, Process, Program, Storage Medium and Computer System for Arranging Music","music arrangement GUI","DAW innovation","automatic channel creation","music production workflow","patent","graphical","interface"],"tech_cluster":null},"seo":{"title":"Music Arrangement GUI Patent - US-9852765","description":"Explore the 'Graphical User Interface, Process, Program, Storage Medium and Computer System for Arranging Music' patent (US-9852765). Discover automated channel creation, intuitive GUIs for music production, and enhanced workflow efficiency. Full analysis here.","keywords":["Graphical User Interface, Process, Program, Storage Medium and Computer System for Arranging Music","music arrangement GUI","DAW innovation","automatic channel creation","music production workflow","audio engineering patent","intelligent GUI","US-9852765","patentable.app"]},"attribution":{"source":"Patentable","source_url":"https://patentable.app","canonical_url":"https://patentable.app/patents/US-9852765","license":"CC-BY-4.0-like","license_terms":"AI-generated analysis on this page (summary, layman_explanation, technical_analysis, business_analysis, faqs) may be reused with attribution and a visible link back to the canonical URL above. Patent abstracts, claims, and bibliographic data are USPTO public domain.","required_link":"https://patentable.app/patents/US-9852765","citation_suggestion":"Patentable. \"Graphical user interface, process, program, storage medium and computer system for arranging music\" (US-9852765). https://patentable.app/patents/US-9852765","copyright_holder":"Nomic Interactive Technology LLC"},"links":{"html":"https://patentable.app/patents/US-9852765","json":"https://patentable.app/api/llm-context/US-9852765","site":"https://patentable.app","llms_txt":"https://patentable.app/llms.txt"},"generated_at":"2026-06-06T10:12:23.043Z"}